Schenker's theory of tonal music—its explication through computational processes
Identifieur interne : 005E35 ( Main/Exploration ); précédent : 005E34; suivant : 005E36Schenker's theory of tonal music—its explication through computational processes
Auteurs : R. E. Frankel [États-Unis] ; S. J. Rosenschein [États-Unis] ; S. W. Smoliar [États-Unis]Source :
- International Journal of Man-Machine Studies [ 0020-7373 ] ; 1977.
Abstract
It has been possible to depict the constructs of a theory of tonal music developed by Heinrich Schenker (1867-1935) as a system of computational processes. The basis of Schenker's theory involves the existence of musical proto-structures which expand into tonal compositions through a well-defined set of rewriting rules. On the basis of these rewriting rules, it becomes possible to describe musical structure in terms of tree transformations. Using the programming language LISP, we have implemented a data structure that models the process by which the hierarchy is created. To demonstrate our system, we present structural descriptions of excerpts of tonal music as LISP programs. While our data and control structures help to clarify many of Schenker's ideas, we shall also focus upon those aspects of the theory found during the course of this study to be problematic.
Url:
DOI: 10.1016/S0020-7373(78)80008-X
Affiliations:
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E." last="Frankel">R. E. Frankel</name><affiliation wicri:level="1"><country xml:lang="fr">États-Unis</country><wicri:regionArea>Department of Computer and Information Science, University of Pennsylvania, Philadelphia 19174</wicri:regionArea><wicri:noRegion>Philadelphia 19174</wicri:noRegion></affiliation></author><author><name sortKey="Rosenschein, S J" sort="Rosenschein, S J" uniqKey="Rosenschein S" first="S. J." last="Rosenschein">S. J. Rosenschein</name><affiliation wicri:level="1"><country xml:lang="fr">États-Unis</country><wicri:regionArea>Department of Computer and Information Science, University of Pennsylvania, Philadelphia 19174</wicri:regionArea><wicri:noRegion>Philadelphia 19174</wicri:noRegion></affiliation></author><author><name sortKey="Smoliar, S W" sort="Smoliar, S W" uniqKey="Smoliar S" first="S. W." last="Smoliar">S. W. Smoliar</name><affiliation wicri:level="1"><country xml:lang="fr">États-Unis</country><wicri:regionArea>Department of Computer and Information Science, University of Pennsylvania, Philadelphia 19174</wicri:regionArea><wicri:noRegion>Philadelphia 19174</wicri:noRegion></affiliation></author></analytic><monogr></monogr><series><title level="j">International Journal of Man-Machine Studies</title><title level="j" type="abbrev">YIMMS</title><idno type="ISSN">0020-7373</idno><imprint><publisher>ELSEVIER</publisher><date type="published" when="1977">1977</date><biblScope unit="volume">10</biblScope><biblScope unit="issue">2</biblScope><biblScope unit="page" from="121">121</biblScope><biblScope unit="page" to="138">138</biblScope></imprint><idno type="ISSN">0020-7373</idno></series><idno type="istex">ED17509A88D6CCB8E76FECFA8A96EEC20E8BCC8B</idno><idno type="DOI">10.1016/S0020-7373(78)80008-X</idno><idno type="PII">S0020-7373(78)80008-X</idno><idno type="ArticleID">80008</idno></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0020-7373</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract">It has been possible to depict the constructs of a theory of tonal music developed by Heinrich Schenker (1867-1935) as a system of computational processes. The basis of Schenker's theory involves the existence of musical proto-structures which expand into tonal compositions through a well-defined set of rewriting rules. On the basis of these rewriting rules, it becomes possible to describe musical structure in terms of tree transformations. Using the programming language LISP, we have implemented a data structure that models the process by which the hierarchy is created. To demonstrate our system, we present structural descriptions of excerpts of tonal music as LISP programs. While our data and control structures help to clarify many of Schenker's ideas, we shall also focus upon those aspects of the theory found during the course of this study to be problematic.</div></front></TEI><affiliations><list><country><li>États-Unis</li></country></list><tree><country name="États-Unis"><noRegion><name sortKey="Frankel, R E" sort="Frankel, R E" uniqKey="Frankel R" first="R. E." last="Frankel">R. E. Frankel</name></noRegion><name sortKey="Rosenschein, S J" sort="Rosenschein, S J" uniqKey="Rosenschein S" first="S. J." last="Rosenschein">S. J. Rosenschein</name><name sortKey="Smoliar, S W" sort="Smoliar, S W" uniqKey="Smoliar S" first="S. W." last="Smoliar">S. W. Smoliar</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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